In the period from just before the First World War until the early 1940s, Stefan Zweig, an Austrian born in the Hapsburg Empire, was one of Europe’s leading authors. His books cover biographies, poems set to music, novels, hundreds of articles, reviews, and more. Yet, in 1942 he and his wife committed suicide in South America over their distress of the state of the world and their view of the future.

Zweig believed that each generation would experience one trying movement, be it war, plague, inflation, or social disruption. But he believed that his generation which was raised in the structured, secure world of the late Hapsburg Empire was doomed to experience each of those trials, one after another which put it to a test seldom seen in history. That does not mean that he viewed all change as negative, for he saw the emancipation of women from their corsets and their entry into politics as positive; so too was the easy mingling of the sexes in sports, social events without chaperones, and the greater freedom of people to choose the direction of their lives. Yet he did not see or connect that that same freedom blended with youthful idealism and ignorance of the world could lead to dangerous movements such as Communism, Fascism and Nazism.